UNJournal Kayla Lee | Artist Cheongmok Kim Han-kyoung is already evaluated as a person who has reached the level of mastership in the world of artists in Korea. Artist Kim's works which have always shown the beauty of the art crafts, especially painting, for 50 years, cover a wide range of lacquerware art in Korea and in many parts of the world. Coloring is considered a luxury among handicrafts because the process is difficult from choosing wood and the technology to make lacquer is difficult. Kim's work, which is rated to be based on the principle of ‘walking on a single path for consistent c
UNJournal Jon Lee | Seok Chang-woo's experience, symbol of the noble will with which adversity and hardship were overcome Artist Seok Chang-woo give clear messages in all his works every time. It is an expression of willingness in regard to life. It seems as if all kinds of difficulties and ordeals are ‘gifts the recipients a sense of accom-plishment even at times of adversity and hardship." Perhaps it is closer to the real meaning that "new hope" suddenly rises. Artist Seok is often given the title of "Korea's No. 1 Euisu Painter." This is because he lost both arms when he was 29 years old wh
[Journalist Lee Jeong-ha's Special Series] The artist's work is a repetitive process of filling and erasing over countless hours. In the midst of this repetitive process, matière naturally emerges, and the time of coexistence and extinction comes into play. Kandinsky describes white as "a silence full of possibilities" - understated drawing, understated color, and the white of a blank page. Emptying rather than filling, spirit rather than material, form rather than formlessness. For a long time, the artist has been using the sharpness and simplicity of straight lines as a place for mutual brea