UNJournal Lee Sung Jun | Artist Kim Jae-Seon won the much-coveted Grand Award offered by the Minister of Culture, Sports & Tourism on July 29 this year. There were over 1,200 entries from 30 countries abroad; masterpieces born amidst unprecedented competition. Award Winner Kim's "Eight-Panel Folding Screen of the Banquet at the Waterfall" was selected for the Grand Prize which also offers an awarded 3 million won in prize money. There also were Artists Bae Jeong-hee, Yang Bo-kyung and Oh Yoon-kyung who were selected for the Seoul Mayor's Award (Grand Prize by Category) which awards 1 milli
UNJournal Lee Sung Jun | Although the moon always hangs in the same spot, the hearts of those gazing upon it are always different. Ancient painters depicted the moon not merely as a natural element, but as a mirror in the sky reflecting eternity, hope, and human aspirations. Among these, "Pine Tree and Crane Under the Moonlight" is one of the representative auspicious folk paintings that most beautifully captures the Korean spirit and worldview. This work is a K-Folk Painting entitled "Pine Tree and Crane Under the Moonlight," which reinterprets the spirit of traditional folk painting with con
UNJournal Lee Sung Jun | Cho Nang-kyung Goeunjarak,' a K-Hanbok cultural brand that reinterprets the beauty of Korean royal culture and traditional Hanbok with a modern sensibility, announced a vigorous start by successfully holding its opening ceremony on June 24 at Goeunjarak, located on Achasan-ro, Gwangjin-gu, Seoul. Approximately 70 persons attended the event to celebrate the birth of the new K-Hanbok brand, including Goeun Jarak Advisor Lee Chil-yong, Diplomacy Journal Chairman Lee Jon-young, as well as figures from the culture and arts sector, Hanbok designers, performing artists, busin
UNJournal Lee Sung Jun | A special exhibition by Cheongmok Kim Hwang-gyeong, the holder of Seoul Metropolitan City Intangible Cultural Heritage Lacquerware (Lacquer Painting), will be held from June 24 to July 18 on the 1st floor of the Seoul Intangible Cultural Heritage Education Exhibition Center. This special exhibition showcases various lacquer paintings, including a large-scale 400-size work that recreates "Geumgang-san Manmul Choseunggyeong Do," a representative royal court painting from Changdeokgung Palace's Heojeongdang Hall, using traditional lacquer techniques. In particular, the re
UNJournal Lee Sung Jun | The "29th World Peace Art Exhibition (World Peace Art Exhibition 2026)," a representative international art competition for domestic and international artists, will begin accepting artworks from June 25 to June 30. Hosted by the Grand Art Exhibition Organizing Committee, this competition is being held under the theme "Beyond the Era of Violence, Painting Peace Again" and is establishing itself as an international cultural and artistic festival where artists from around the world express the values of peace, coexistence, and humanity through art. In particular, this yea
UNJournal Kayla Lee | The World Peace Art Exhibition Organizing Committee, a non-profit corporation under the Ministry of Culture, Sports and Tourism, announced the appointment of Mme. Kim Tae-yeon, a cultural arts planner and designated reporter for the Ministry of Foreign Affairs, as its new Secretary General. This appointment is being evaluated as a strategic personnel move aimed at strengthening the international standing of the World Peace Art Exhibition and expanding its global cultural arts network as it approaches its 30th anniversary in 2027. Chairman of the Board of Damhwa stated, "T
UNJournal Lee Sung Jun | Artificial Intelligence (AI) is transforming every domain of the world. And the art world is no exception. AI now paints pictures, composes music, and produces videos. Many people ask whether AI can replace artists. However, that is not the true question. Art in the AI era is becoming a time that questions the depth of the human spirit, rather than a competition of technology. The media art work, 'Under the Moon' by Ryu Jae-Chun, a master of Korean ink painting, symbolically demonstrates this very point. The golden moon rising within the giant screen is not merely a ce
UNJournal Lee Sung Jun | That name is K-Folk Painting. Just as the popular K-Pop, K-Drama and the K-Food have become the global language today. Minhwa, which captures the beauty of traditional Korean painting, now needs a new name for the world. This writer has long asserted that Minhwa should not be merely a painting of the past, but a cultural content that represents the Republic of Korea. For this reason, I have consistently used the term, the K-Folk Painting, in news media articles, and furthermore, I have even pursued trademark registration under the name "The Beauty of Korea, K-Folk Pain
UNJournal Lee Sung Jun | --“Painting World Peace through Art” which is expected to be participated by artists from over 50 different countries of the world. --Prestigious Awards attract attention, Including the National Assembly Speaker’s Award, the Minister of Culture, Sports and Tourism Award, and the Mayor of Seoul Award. The 29th World Peace Art Exhibition, where artists from many countries of the world gather to share the value of “Peace Spoken through Art,” will be held grandly in Seoul this coming August 2026. According to the World Peace Art Exhibition Organizing Committee (led by Chai
UNJournal Kayla Lee | On February 25 at 2:30 p.m., the 2026 Korea Masters Invitational Exhibition officially kicked off in Insadong with an awards ceremony and Hanbok fashion show. "A place where tradition and modernity, recorded history and personal memories meet," is how Chairman of the Organizing Committee Lee Jon-young described the exhibition. Lee is also publisher of Diplomacy Journal. This description is particularly fitting for the works of calligrapher and painter Yoo Hyeon Byeong. Three distinct series by Yoo are presented in this exhibition. His ho (號)—artistic sobriquet—"Bamgugyeon
By UNJournal Kayla Lee | When someone wakes up at age 103, the day is normally a quiet one. A quiet day can still be productive; one such centenarian routinely reaches for a writing brush. Born in 1923, Master Nam Sang-jun has lived as a hyeokpil (leather brush) calligrapher for over 60 years since studying under Master Dong Ji-seong in 1961. The hyeokpil held in his fingertips is not limited to Hangeul. It embraces Chinese characters and even extends to the Roman letters of English. He teaches his disciples not just how to wield a leather brush when writing art, but also how to make and use a
UNJournal Jon Lee | On January 23, 2026, Damhwa Media Group, parent company of Diplomacy Journal, filed patent applications with the Korean Intellectual Property Office for the brands "K-minhwa" and "K-graphy." Beyond simple trademark protection, the filing represents the first official branding of uniquely Korean art and brush cultures. "K-minhwa" and "K-graphy" are already the mastheads of Damhwa publications and organizations as well as terms that have entered cultural discourse. The patent registration, however, is not merely about protecting media titles. The core message is clear: "This
UNJournal Jon Lee | The first letter, "K," is the national flag, "K" is not a letter of the alphabet. "K" is the accumulation of time that is Korea, a symbol condensed with the breath of history, spirit, and craftsmanship. "K" is no longer an adjective. "K" is the center, the starting point, the face of Korea facing the world. We put "K" first because it is not a matter of pride, but of responsibility. Graphy is language. Graphy is not the act of writing. Graphy is the way thought is expressed through lines. Lines before letters, shapes before words, the oldest language in which human thought
UNJournal Lee Sung Jun | "Endless self-strengthening" is the power to constantly illuminate oneself. This saying resonates particularly painfully with us today. We feel tired too often, give up too easily, and live our lives confused about when to rest and when to stop. Modern society constantly demands speed. We are pressured to achieve immediate results, see visible results, and quantify our efforts. Consequently, many people push themselves to become stronger. However, self-strengthening and non-stop in the Buddha's teachings is not about such compulsion. It is not about the power to outdo
By UN Journal Kayla Lee The K-Folk Painting Invitational Exhibition, "Folk Painting, the Beauty of Korea," held in Minsk, Belarus, was more than just a simple exhibition. With over 6,000 local residents in attendance, it was a vivid testament to cultural diplomacy, demonstrating how the warm sensibility and artistic spirit of Korean folk painting transcends borders and permeates the hearts of a nation. Folk painting is a painting born from the everyday lives of nameless people, yet it embodies wisdom, hope, and the desire for peace. Tigers, lotuses, the sun and moon, fortune and longevity. The